Shaping and Sharing Data

 

With your peers, discuss one or two different charts or graphs that you have discovered in your quest for data to drive your narrative and explain the chart.
Sharing Data Charts
For this discussion, present one or two different charts or graphs that you have discovered in your quest for data to drive your narrative and explain the chart,
speculating as to why this is or is not an appropriate choice of presentation and what might be a better way to visualize these data representations:
Remember to conceal the name of your organization or any other information that might breach confidentiality.
Summarize the content of these charts and indicate what exactly they are representing. Include who you believe to be the intended consumer of these data
visualizations.
Comment on the adequacy of the choice of format for these data representations. If they are inadequate, what might be a better choice of format?
Identify any data or information absent from the chart that would improve its interpretation by the consumer.
Speculate as to how these charts could encourage and support the continuous improvement processes in your organization.

 

Sample Solution

 

 

 

 

 

 

Longfellow, Long Fame

The artist may not be discussing himself, yet Henry Wadsworth Long Fellow has absolutely gotten one of “extraordinary men”. At last it will move “common war”. In his celebrated sonnet “The Psalms of Life” he says “The lives of the incredible individuals advise us that we can make our carries on with respectable …”. One of the well known artists has been appreciated by such individuals. As Charles Dickens and Walt Whitman.

Henry Wadsworth Longfellow utilized a ductic hexameter (which is masterminded in progression to six Daktil) on the long and first line of his sonnet “Evangelin”. “This is the crude man of the woods” Pine and Tuga (Long Fellow is likewise a case of the last Daktil with syllable brevity and the other is Catatrexis) “Five Ducklings play Beyond the head of a mountain “, it is as a conspicuous difference to the inner rhyme where words in a line rhyme with another word toward the stopping point or somewhere else in the sonnet. As frequently utilized in Shelly’s “mists”, “I am a young lady on the earth and water … /I will walk the pores on the ocean and the coast. At the point when the principal sound is rehashed,” The boat is embarrassed about the coast ), Sometimes called rhyme or first rhyme

As of late, I have perused some Henry Wadsworth Longfellow (1807-1882). Long Fellow is a verse artist who attempted his hand in a free sonnet. I composed the long individual in detail. I concede that I can not turn myself “Evangeline” and “The Song of Hiawatha”. I comprehend that this chic verse was composed and acknowledged before the consistent development of radio, TV, Sony Walkman and the Internet. I might want to find out about the verse of the nineteenth century for about 60 minutes.

Hiawatha’s tune is one of only a handful hardly any long verse of Long Fellows. Longfellow broke portion of the ladies in Ojibwe with the eyes of Henry Law Schoolcraft (1793 – 1864), ethnologist, traveler, and Indian operator. Long Fellow debilitates the character’s gallant status by communicating it as “puerile and juvenile” instead of a widespread individual, joining legends and history. Now and again he may appear to be unique from human needs normally, at times as compassion (Wagenknecht, pp. 102 and 96).

 

 

 

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