Sound used off-screen and onscreen to create suspense and paranoia

 

Please watch both of these films:
M directed by Fritz Lang, 1931 and To Be Or Not To Be directed by Ernst Lubitsch, 1942
After watching M, please respond to the following concepts, as well as your personal experience.
How is sound used off-screen and onscreen to create suspense and paranoia?
How does sound constructs the setting and atmosphere.
What does the sound add to the film’s meaning and/or emotion, would it work as a silent film (with music)?
After watching To Be or Not To Be, please respond to the following concepts, as well as your personal experience.
How was this film considered that of classical narrative?
Did this formula make for an enjoyable viewing experience? Why?
Were the three-acts easy to identify? Can you please tell us where the acts begin?

 

 

Sample Solution

M is a 1931 German mystery suspense thriller film directed by Fritz Lang and starring Peter Lorre in his third screen role as Hans Beckert, a serial killer of children. Sound is used by Lang to create an atmosphere full of fear, paranoia and dread. M contains one of cinema’s first uses of the leitmotif, which up until this point were used mainly in opera and utilized heavily by Richard Wagner. M is a transitional film in many ways, teetering between the realm of silent and talking pictures. It blends dialogue sequences with silent sequences containing music or sound effects. Lang edited the sound in the same manner as the visuals, using them sparingly and with control to achieve specific effects.

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