Sample Solution

the streets or at the college campuses. The only way for them is turning to digital media where they can set up personal blogs with LGBTQ+ advocacy and hope it will work to some extent, facing the risk of being permanently blocked. At the same time, there are so many rumors and misunderstandings online about LGBTQ+ community that nobody stands out to confirm. The scariest thing is people who don’t even know who they are advocating for their rights.
In the publication of Chinese mainstream media, strict laws are made to get LGBTQ+ theme out of the game. According to General Rules for Network Audiovisual Program Content Review in China, homosexuality is prohibited because of rendering abnormal sexual relationships and vulgar low-level fun (CCTV, 2017). More incredibly, earrings and dyed hair are censored in television shows, even when these decorations are not necessarily a symbol of queerness. The same as the digital media, more and more filmmakers are trying to make films with their own funds concerning the LGBTQ+ community. However, most of them are too worried about advocacy and not acquainted with knowledge about this group of people. Therefore, excessive obsession of sexual excitement and overdone materialism in these films further strengthened the prohibition of films of such genre.
This embarrassing current situation of the LGBTQ+ community in China is not formed one day. To fully unfold the issue, in this study paper, I will analyze the history of China, especially the contemporary history, which includes the birth of dictatorship and cultural revolution. Also, I will combine them with several media presentation examples of the LGBTQ+ community, such as Farewell My Concubine and East Palace West Palace. The unique historical atmosphere depicted in these media, led to the delay of the progress of equal right movements. Through studying the unique situation, the unique approaches of advocacy will be predicted and suggested accordingly, to promote the unique future dev