“The Cask of Amontillado”

 

 

“The Cask of Amontillado” has remained one of the more perplexing of Poe’s stories, and is frequently anthologized. It is told from the point of view of Montresor, who seems to be speaking to someone (an auditor – “You, who so well know the nature of my soul…”) and who includes and omits information from his own story – making him, to most readers, a rather unreliable narrator (a phenomenon generally only associated with the first-person point of view).

What does Montresor include, and more importantly, what does he omit in his recreation of the situation? How does he portray Fortunato? How does he portray himself? What are your thoughts, observations, and questions on “The Cask of Amontillado,” especially in relation to NARRATION and POINT OF VIEW?

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In the first paragraph, we learn that Montresor “had borne as best I could…the thousand injuries of Fortunato…but when he ventured upon insult, I vowed revenge.” This is the most direct statement of motive for the murder of Fortunato we get in the story.

What is Montresor’s motive? What does it mean? How do you interpret Montresor’s words here? Is there more to his motive than we see in this statement?

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In the section on “Jungian and Myth Criticism”, your text tells us that “[a]ccording to Carl Gustave Jung (1875-1961) and his followers, the unconscious harbors universal patterns and forms of human experiences, or archetypes. We can never know these archetypes directly, but they surface in art in an imperfect, shadowy way…”

How might we see “The Cask of Amontillado” through the lens of the Jungian archetype? As archetypes, who are Montresor and Fortunato? How is their journey archetypal?

(Remember, an archetype is a recurring symbol, something or someone we all understand as a type – “the snake with its tail in its mouth, rebirth, the mother, the double, the descent into hell” are examples your text gives. Your task here is to try to understand “The Cask of Amontillado” in these kind of Jungian symbolic terms. Here’s a good place to start: think about Montresor’s coat of arms – “A huge human foot d’or (of gold) in a field azure; the foot crushes a serpent rampant whose fangs are imbedded in the heel.” How might the elements of the coat of arms correspond to the characters or their journey? Explore this or any other aspect of the story you see fit.)

 

Sample Solution

“The Cask of Amontillado”

The Cask of Amontillado is a short story by American writer Edgar Allan Poe. The plot summary is about revenge, deceit, and murder, as Montresor tricks a drunk Fortunato by trapping him inside an ancient catacomb. Montresor depicts Fortunato as a man who has dealt him “a thousand injuries.” He describes Fortunato as boorish and “a quack,” or a fraud, in some areas. He also reveals Fortunato`s wish to be perceived as a veritable connoisseur. But, because he does no support his exaggerated claims against Fortunato with real proof, Montresor is an unreliable narrator. For instance, there is no enumeration of “the thousand injuries: supposedly committed against Montresor by Fortunato.

GCSE War Poem Tunes of GCSE war “Light Battle” and “Fall Battle” are on the whole sonnets about war. Alfred Tennyson’s “Light Brigade’s Accusation” composed on fourteenth November 1854 clarifies one thing in the Crimean war. England and France are stressed that Russia will move south, so assaulted Russia in Balaclava. During the war in September 1914, Lawrence Bingyan expressed “for fall”, yet received a one-sided disposition that shows positive and negative outcomes, specifically. . It is a nation. How about we see the necessities of GCSE’s English writing. Understudies need to recall the “significant substance” of the 15 books of various lengths and various books, Shakespeare plays (the significant thing is doublespeak). With in any event fiction and show, you realize that you will be controlled – in verse, 13 of the 15 sonnets you recall won’t show up in your theory. Pick two refrains as tests, analyze them, and request that the understudies connect them to a particular point Clarify how the uncommon attributes of at any rate two works in Wilfred Owen’s sonnets influence one another and impact their responses. The center highlights of Wilfred Owen’s war verse incorporate misuse of war, fear of war, and the physical impact of war. These highlights can be found in Owen’s correspondence with perusers, verse ‘Darce and Decolm Est’ pulling in perusers’ feelings to officers and ‘Destiny to youth of fate’. These sonnets collaborate and investigate understanding “Maryal Mountain in this sonnet” clarifies the characteristic picture. Maybe the most well known contemporary use of this sentence is the title of the sonnet “Dulce et Decorum est” by British writer Wilfred Owen during the First World War. Owen’s verse depicts the gas assault during the First World War and is one of his numerous enemy of war sonnets that were not declared until the finish of the war. In the last barely any lines of this sonnet, Horatian phrases are communicated as “old falsehoods”. Individuals accept and utilize the first of that sonnet to clarify that Owen is attempting to disparage the sonnet by Jessie Pope (who adulated the war and enlisted in a straightforward enthusiastic verse). “Little accomplice” who is excited about charging and shooting. Like “telephone” The principal sonnet mirrors the picture of war that the vast majority know well. This sonnet “Flanders Battlefield” is likely the most renowned and famous war sonnet. It was first distributed in British ‘punch’ magazine in December 1915. Surprisingly fast, this sonnet represents the penance of all the battle in World War I. “Flanders Battlefield” was made by a specialist and educator of Canada, John McCrea who worked in the South African War and the First World War. He was moved to the clinical group and relegated to a French emergency clinic. He was dynamic in 1918 and kicked the bucket of pneumonia. His sonnet assortment “Flanders Field” and other verse assortments were distributed in 1919. This sonnet is still piece of a commemoration in Canada and different nations.

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