The Fisher King Lite Crit media

Summary of Your Task:
Watch the film The Fisher King and apply ONE of the suggested critical lenses (Marxist, Feminist, or Psychological) to The Fisher King. What would critics from your chosen school of thought say about this movie? What would they notice? Review your notes and handouts from our literary criticism classes and write an analysis of The Fisher King using your chosen form of literary criticism. You will create a detailed outline of your analysis. To accompany your outline, you will create a collage of images. This collage should artistically connect to the ideas in your outline. You are then to write a paragraph explaining how your collage represents the analysis in your outline.

 

Breakdown of Your Task:

 Watch the Fisher King

 

 Select an appropriate lens to use:

o Psychological

o Feminist

o Marxist

Sample Solution

translated Ancient Greek texts into Arabic and consequently many scholars journeyed to Spain to translate these volumes into Latin after mastering the Arabic language strangely these reformations known as the first Renaissance of the Middle Ages was ceased by the ‘ Black Death’ caused by the plague which killed over a third of the European population and led to the suspension of the scientific development and set back the progress of knowledge that didn’t resurface until the Renaissance.( Martyn Shuttleworth / explorable.com/middle-ages science)
Modern people’s interest in the middle ages and the great concern in its reality is influenced by J.R.R. Tolkien’s Lord of the Rings and his depiction of the middle earth. Elisa Scubla claims in CA. that many academics suggest that Tolkien was trying to bridge the missing gap left by early Medieval literatures while explaining the reason behind the loss of information.
Jane Ciabattari wrote in BBC.com/culture that contemporary fantasy writers can’t escape from Tolkien’s shadow, she argues that the fundamentals in The two series are similar. In each series the plot consists of a “ticking time bomb”, ‘The One Ring’ in The Lord of the Ring and ‘Winter is coming’ which is the line that introduces the action in Martin’s creation. Moreover, they both offer diversion through fantastical elements like dragons, elves and dire wolves while writing scenes that bring to mind Shakespearean history plays, intersecting sword fighting with sophisticated dialogue, false accusations of treachery and beheadings as both relied upon Britain’s brutal past, particularly medieval history and Anglo-Saxons literature. Even though Tolkien’s vision of good and evil is clearly presented as it is inspired by the world wars of the 20th century, Martin’s view is regarded as better suited to this period of overlapping and interconnecting struggles for the series induce more familiar strains in a phase when office politics and

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