Theories and Models of Crisis Response

 

 

 

 

To understand effective service delivery in response to critical incidents, helping professionals must first understand theories of how individuals process crisis and models for responding to survivors. For example, being aware of the Childhood Sexual Abuse Accommodation Syndrome can help sexual trauma practitioners conceptualize the cognitive processing of sexual abuse from the perspective of the child or adult survivor (Summit, 1992). Other theories include the eco-systemic theory (the effects of crisis affect more than just the survivor), the constructivist self-development theory (each individual constructs the meaning of his or her own traumatic event), and the resilience theory (the ability to recover from crisis events). Models provide techniques for working with crisis survivors, including but not limited to Psychological First Aid and suicide prevention models. Familiarity with theories and models related to crisis and crisis intervention provides important foundational knowledge that informs effective response to survivors.

For this Assignment, select three theories and/or response models that are used when working with survivors of critical incidents and that you think are particularly valuable.

The Assignment (2–3 pages):

Briefly describe each of the theories/models you selected.
For each, explain its value in helping individual(s) who have experienced or are experiencing crisis, trauma, or disaster. Be specific and provide examples to illustrate your points.

 

 

 

 

Sample Solution

 

Retribution and Vengeance in Shakespeare’s Hamlet – Why Revenge?

Hamlet’s Revenge In Elizabethan period, a dramatization called “misfortune of vengeance” got mainstream. These plays are “… my dad retribution my child and the other way around, vengeance is requested by the apparition of the killer …” (Harmon and Holman # 6) , Philosophical monologs claiming to be certifiable or crazy, including the legend’s dithering of the saint, interest, and the utilization of fear based oppression. William · Shakespeare’s “Hamlet” is totally fulfilling these characteristics and is a genuine case of the awfulness of retribution.

In Shakespeare’s ‘Hamlet’ retribution, Shakespeare vindicated as the topic of the considerable number of works. Retribution assumes a significant job in the improvement of Fortinbras, Prince of Norway, Hamlet, the Prince of Denmark, and the child of Polonius Laertes. Each of the three requested retribution for their dad’s homicide. In Hamlet, retribution can be deciphered as another character. Everybody looking for vengeance will defeat it. – Ophelia of William · Shakespeare’s “Hamlet” Follow her, take a gander at her, I go to you “(IV.5.73). By all accounts, Shakespeare’s ‘Hamlet’ is a sensational, baffling and mind boggling show figure. His thought processes, frenzy, conflicting ethical quality, and existentialism battle are in any event humiliating. In dissecting his job, Laertes and Fortinbras are cited regularly as instances of less extraordinary jobs that are comparable yet handle an increasingly explicit quandary.

Investigation of Shakespeare’s “Hamlet” in William Shakespeare’s play by Hamlet was a commonplace vengeance dramatization. Be that as it may, Prince Hamlet can be seen as an increasingly mind boggling individual since he can be viewed as a blend of feeble retribution, terrible legend, and political blunder. So as to completely comprehend that Hamlet found his reality, it is important to test these three jobs. It is to break down them or call vengeance of Hamlet’s conduct. – Customs are regularly called standard elements of abstract works, for example, the utilization of chorales in Greek misfortunes and the utilization of express morals in tales. They will show up in stories, plays, articles, verse, motion pictures. An assortment of customs are regular in Shakespeare’s “Hamlet”, “Subduing”, and “Othello”. They are likewise in D. H. Lawrence’s The Horse Dealer’s Daughter and The Rocking Horse Winner lastly went into A Doll House of Henrik Ibsen.

Love, bad form, and vengeance on Shakespeare ‘s Hamlet and Emily Bronte’ s “Wuthering Heights” assume a significant job in Shakespeare ‘s “Hamlet” and Emily Bronte’ s “Wuthering Heights”. Jobs Both of these works are destined to disappointment, spooky difficulty and passing. In spite of its lavish condition, Elsinore’s court generally mirrors the downturn of Yorkshire’s crushed Wuthering Heights – the two scenes are practically similar to detainment facilities. – Revenge is a higher priority than Hamlet’s Oedipus complex, and the wellspring of vengeance for young men isn’t really Oedipus alone. The vengeance of Hamlet and the circumstance rousing it are put together not with respect to cherish for his mom however on the need to vindicate his dad’s demise. Hamlet was the main individual to hear the account of the phantom, however others encountered this. This demonstrates he won’t unwittingly cause a dream so as to draw out his mom from his new sweetheart.

 

 

 

 

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