e topic of a female’s job in a general public is investigated in numerous ways in Othello. Through the eyes of Emilia, we see imbalances in marriage and ladies’ own impression of men. Emilia offers an interpretation of marriage and relations of sexual orientations that would have been genuinely in front of Shakespeare’s times in Act IV, Scene 3. In this scene, Emilia and Desdemona are talking in Desdemona’s room after she was requested by Othello to quickly go to her chambers. Like a respectful kid hanging tight for discipline, Desdemona gets in line. After she gullibly communicates her skepticism over a chance of a lady betraying her better half, Emilia offers her an alternate perspective and bands her speech with hints that Desdemona ought not simply docilely take all the abuse that Othello doles out at her.

Emilia contends that ladies are equivalent to men and that they have similar purposes behind being faithless. Very much like men, ladies have shortcomings, wants, improper kind gestures that lead them to this despicable demonstration of disloyalty. Her words not the slightest bit advocate for disloyalty, yet rather advocate for bringing issues to light that ladies are the same than men with regards to committing errors driven by the craving for “sport,” the straightforward sexual longing for pleasure. This discourse makes the differentiation among Emilia and Desdemona’s way to deal with marriage exceptionally clear. Contrasted with Desdemona who is a heartfelt that has an ideal, monumentalized form of affection and marriage that she places regardless of anything else, Emilia perceives that there is a twofold norm around orientation and constancy and she is searching for a sensible center ground. Emilia proposes that the “evil” a lady does is a reaction to being violated by a man.