Why music sometimes considered controversial

 

What are the various meanings of the term ‘soul’? Who were some of the architects of this music? Why was their music sometimes considered controversial? Who objected to their music and why? How were some soul songs and artists directly related to the Civil Rights struggle?
What is funk music? Who developed it? What is Black Power (ideology), and who were its primary voices? Give some examples of how funk music expressed the ideology of Black Power.  Discuss the differences between Sly Stone’s political message in his music and that of James Brown.
Discuss Motown’s approach to political expression; did it change over time? If so, when? Why? Discuss at least 3 Motown songs that you think have a clear political message.
Discuss early (1970s-1990s) hip-hop music as an expression of social protest. Identify the major issues and artists, placing them in wider historical context. How does hip-hop act as a form of empowerment?
Discuss how popular music relates to the Black Lives Matter movement. What does the movement stand for? When did it start?

Sample Solution

Why music sometimes considered controversial

A term with varied meanings in popular music, “soul” broadly describes African American music characterized by emotional urgency and racial consciousness. More specifically, a soul style of black music emerged from rhythm and blues and gospel in the late 1950s and became popular with both black and white audiences through the 1970s. Soul music became popular for dancing and listening in the United States, where record labels such as Motown, Atlantic and Stax were influential during the Civil Rights Movement. Thom Bell among others emerged as the chief of architects of that sound: singer Kenny Gamble (b. 1943) and pianist Leon Huff (b. 1942).

England had created a romantic image of the South Seas that fuelled the desire for its annexation, by idealising it with stereotypes of everything that England wasn’t, centred around Tahiti. Where Englishmen felt their country was repressive, Tahiti was perceived as sexually permissive. Where England’s climate often prompted suffering in the winters and required hard toil to produce food, Tahiti was perceived as plentiful. The arrival of the English destroyed much of what they had found so attractive through the arrival of gunpowder, diseases such as smallpox and syphilis against which the locals were defenceless, tobacco and alcohol, destroying communities. It has been estimated that within ten years of the arrival of Europeans, close to 90% of the Polynesian population were wiped out, while the Aboriginal population plummeted from over 300,000 to around 80,000 in 1889, and the Maori population had dwindled to 40,000 by the beginning of the 20th century, counting for just 1/15 New Zealanders. (2)

To counter a popular misconception, however, this forceful imposition of English culture upon the islands was not the voyagers’ original intention. When Cook embarked on his first voyage in 1768, he received two sets of instructions from the admiralty. The first, relating to the observation of the Transit of Venus, gave the voyage a purpose. The second were opportunistic, and rarely discussed. These instructed Cook to “make discovery of” the southern landmass Terra Australis (appendix F), and to take possession of it if uninhabited. If not, the crew were to show the indigenous population “every kind of Civility and Regard”, reinforced by a letter from the 14th Earl of Morton, President of the Royal Society in London, who had organised the expedition (appendix G). The voyage was intended to be the perfect representation of the Enlightenment, furthering scientific research and uncovering the secrets of the last unknown quarter of the world, not one of violence and plunder. It is therefore clear that these instructions were disregarded when Cook’s expedition reached their destination, engaging in violence on numerous occasions. Aside from trade, at no point were these first encounters positive for the indigenous people.

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