contacts, viruses, closeness and swarming (… ) simultaneously to separate space and keep it open, guaranteeing a reconnaissance which is both worldwide and individualizing.” This distinguishing proof of a medical clinic’s reliance on observation and information repeats Foucault’s examination of the utilization of room in a public organization, an oxymoronic mix of encased and open spaces that both works with the doctors need to notice and all the while guarantees the assimilation of reconnaissance by patients in the eighteenth and nineteenth 100 years, a disciplinary methodology expected to shape society. The panopticon model is significant of this technique to utilize self-observation and self-control, giving a hypothetical design structure to help the ‘clinical look’.

The ‘clinical look’ is at first presented by Michel Foucault’s The Introduction of the Facility (1963) to portray the dehumanization of the patient’s viewpoint and experience of a sickness, encouraging the doctor’s understanding of side effects . The ‘clinical look’ develops a specialist/patient twofold that empowers a mind boggling power dynamic. In these terms, the detachment of the psyche and body is vital to the objective perception and treatment of the body. The ‘clinical look’ can likewise be stretched out to surgeries like the post-mortem and different types of clinical examination.

Figure 1: Cristin Millett, ‘Teatro Anatomico’ media establishment and intuitive video project (2005) .

In Figure 1, Cristin Millett’s Teatro Anatomico (2016) channels the pecking order of clinical perception from the point of the female conceptive framework into her own visual societies practice. Analyzed by Fringe Dreams Press, Millet’s mixed media portrayal takes motivation from the verifiable life structures theater in engineering space and brings out imaginative portrayals of seventeenth Century life structures illustrations . The building structure shows a hierarchal association of the clinical as shown in the outline underneath (Figure 2